I see my studio practice as a balancing act between the physical manifestations of my core tendencies (repetition) and the spontaneous impulse for change (difference). Like the difference between climate and weather: climate being understood as the long-term trajectory of meteorological conditions, and weather as conditions of the immediate present, repetition and difference live inside and move around each other in my work.?
Always striving for consistency, but rarely working serially, my typical approach has been to engage and resolve each piece individually. This generous and open-ended attitude has engendered a body of work that could be interpreted at face value as disparate and unrelated, but the central and foundational motivations that drive the work: the impulses to collect, organize, and build have remained in tact for years.