Garrison’s Minimalist compositions expose the beauty in the banal. Through a process of careful scientific-like scrutiny Garrison dissects and restructures the color schemes of common everyday objects, places and experiences. Coupled with Hanne Darboven-like analytical quantification and qualification his studio practice offers us a thoughtful re-examination of objects and experiences ubiquitous to the American experience. This deconstruction of quotidian objects and experience is a personal, non-judgmental, examination of the visual, emotional and conceptual aspects of consumerism.
James Cullinane's drawings, collages, paintings and installations employ a wide range of materials as symbols, signs and marks that expressively and conceptually explore ideas related to philosophy, art history, theory and literature; time, space, physics and the human condition.
In February 2019 we paid a visit to Jerry Walden in his Rock Hill, SC studio to talk about his history, his influences and experiences. We'll explore these and other topics in our three-part Studio Visit interview.
In January 2019 we visited New York City-based artist Sharon Lawless in her East Village studio to talk about her work. In a wide-ranging three-part conversation we discuss her origins, influences and her path forward.
Looking both biological and man-made, Lerner's lyrical, fictional landscapes meander across the paper, growing outward as layer upon layer is applied. They depict a co-mingling of human-made and natural systems and the tensions between those forces reflecting Lerner's conflicted feelings about his own role and impact on our environment, "…while in many ways my work is a reaction to over-consumption and environmental politics…” These in-bewteen or non-places are grey areas, places not clearly one thing or the other, and open to interpretations. These are spaces of uncertainty or intermediacy offering a visual representation of these tensions through an unsettled shifting perspective. Lerner writes, “There is an in-between space where viewers can get a feeling, some type of emotional response, idea, thought, or lingering-mood that they may not completely understand but sticks with them in the back of their minds seeping into consciousness or dreams. I’d like this work to live in an in-between space to be revisited over time.”